King David, Pretty-boys, Homophobia, and Liminality -- Part I
For some time now I’ve been fascinated with pretty boys. Okay, I guess that sounds strange when I put it that way. What I mean is that I’m interested in understanding the phenomenon where our culture considers certain men to be attractive, not in a rugged, “masculine” sort of way, but in a finer, almost feminine way (which is why the generally feminine term “pretty” is used to describe them). What’s particularly interesting is the way that many men (and women!) despise and reject pretty boys (try to find a “manly” man who has anything nice to say about Orlando Bloom). Why is that?
The thing that initially piqued my curiosity about this phenomenon was when I was reading the story of David and Goliath a few years ago and realized that Goliath belittles David because he is a pretty boy. The text says “When the Philistine looked and saw David, he disdained him; for he was but a youth, and ruddy, with a handsome appearance.” (1 Sam 17:42) Now part of Goliath’s scoffing is because David is young (male youths are often considered to be feminine; this is part of the reason young boys were sexually exploited in the Greco-Roman world, and why in the American colonial period boys wore dresses for the first few years of their life), but his “handsome” appearance is also a factor. I still need to do a more careful analysis of the passage, but from my understanding the term translated “handsome” (yph for you Hebrew folks) is generally a term used for feminine beauty – like “pretty” in English.
I was again reminded of the pretty-boy phenomenon recently when reading Euripides’ ancient Greek tragedy the Bacchae, in which the God-in-disguise Dionysus is ridiculed for his feminine appearance (from the description he sounds like Goldilocks).
It’s beginning to seem to me that the pretty-boy phenomenon (not surprisingly) is cross-cultural, and as such may offer us some interesting insights into issues of human gender and sexuality. There are a variety of ways we could interpret this phenomenon (and I’d love to hear some of your suggestions), but I’m interested in exploring its relationship to homophobia. My theory is that the source of the pretty-boy phenomenon and homophobia is the same – a fear of the subversive nature of that which is liminal. But I also believe that the relationship between these two social phenomena goes beyond mere analogy, and that homophobia is actually the driving force behind hatred for the pretty-boy, making the pretty-boy phenomenon a form of homophobia. (forgive any misuse of terms or hazy conceptual distinctions, I’m a bit new to these kinds of analysis).
1) Disdain and hatred for the pretty-boy is ultimately caused, like homophobia, by the basic human fear of liminality. As human beings we constantly construct categories which allow us to organize and interpret our experiences, and which give us a sense of identity and order. Black, white, liberal, conservative, man, woman, child, adult, slave, free, etc (the fact that some might object that things such as male or black are not social constructions but are ‘natural’ is evidence of how effective society is at convincing us that the things it has created have always been) Each category we construct comes with a behavioural script, telling people who they are and how they are expected to act, providing us with order and meaning (note that these ‘categories’ are often designed to serve the power interests of certain segments of society – the caste system and patriarchy are clear examples of this). Because these socially constructed categories/identities have an ordering effect and preserve power interests, violation of their behavioural scripts is seen as a threat to society – improvisation is not allowed. We respond to this threat by labeling the offender as a deviant. I think we are particularly threatened by any violation of binary categories/identities – such as male/female.
We often fear the liminal – those people and things which straddle the fence between social categories and identities. We fear them because they threaten our constructed boundaries, and because they force us to see these boundaries for what they are – creations of human culture. In my opinion, when some/many things ‘feel wrong' to us it is not because of some divinely implanted, universal moral sensibility – it is because our neatly ordered, human-made social universe is being threatened. This is why so many Christians in the previous century (and sadly even today) opposed interracial marriage as an immoral abomination against God (it threatened our racial categories, and therefore threatened white supremacy). It is also why so many feel such a strong disgust towards homosexuality in our own day (interestingly, some of the rhetoric used against homosexuality is identical to that which was used against interracial marriage in a previous generation – ‘It will lead to polygamy and sex with animals’). Homosexuals threaten our yin-yang gender/sexual categories and identities, creating a messy spot of gray that obscures that crisp, curvy, line which separates white and black. What is the gay ‘man’? Is it man? Is it woman? Which locker-room should it use? Social conservatives are right – homosexuality is a threat to society, because it challenges some of our most fundamental social constructions. But this isn’t necessarily a bad thing – the civil rights movement was also a threat to society, and forced us to rethink oppressive racial scripts that had become deeply embedded in American culture (a comparison between functionalist and Marxist approaches to social theory is illuminating here).
In the same way in which the liminal nature of homosexuality threatens our tidy, binary, gender/sexuality scripts, so the ‘pretty-boy’ is seen as a threat to socially constructed borders. Is it a man? Is it a woman? No, it’s Super Queer! (Sorry . . . ) The pretty-boy, like the tom-boy, throws itself against that border fence separating masculinity from femininity, earning the disdain of those who stand firmly on either side of the fence. Fortunately these border monkeys are not alone -- they can find a sense of community and comraderie with the many other sorts of folks who hang out at societies borders.
(The name ‘pretty-boy’ is itself quite interesting. It highlights the liminal nature of this ‘category’ of people by combining a traditionally feminine term with a masculine term, and in the process reinforces the very boundaries which the ‘pretty-boy’ threatens. The use of ‘boy’ instead of ‘man’ is also noteworthy, and points us to the relationship between boyhood and femininity mentioned earlier. In addition to some biological reasons for this relationship (the pre-pubscent male has not yet acquired the physical characteristics such as facial hair, muscle mass, and deepened voice which we use to distinguish man from woman), I think that patriarchy might also be a key source. The young male and the female are both groups who are subjugated by the adult male. Portraying someone as feminine or as childish have traditionally been a way of subjugating them. In the past African-Americans and other colonized peoples were often portrayed by their white oppressors/exploiters as innocent and childish).

